The Ontario Poetry Society Presents

The Ted Plantos Memorial Award

2014 Winner: Stan Burfield


Judge's Remarks
"These five poems confirm Stan Burfield as a poet to be reckoned with. The strong originality of his perception, most especially evident in the powerful, sometimes startling endings, gives ample testament to the fact that his poems honour the award in memory of Ted Plantos. There is real poetry here--the haunting image at the end of his poem 'Then I Saw the Vatican,' brings to life the connection between painting and viewer almost reifying the object of perception."

John B. Lee

Congratulations to Stan Burfield, in recognition of being selected the 2014 recipient of The Ted Plantos Memorial Award.

Annual Memorial Award

Some of Stan's Poetry

Concerning our Glorious Future

As I lift the spoon from this morning's coffee I feel the same long pull of time that my father did my mother that their parents did and theirs a chain rattling down into the well so far I cannot imagine. And up, out of that darkness into this present, all of it -- the slow ages of our reptilian forebears, our fearful hominid ancestors, the entire charging ascent of Man -- comes to a juddering halt at this drop of coffee falling from this spoon. We are stranded here immovable at the endpoint of time, banging our heads on the ceiling.

2nd Prize, 2014 Poetry London Poetry Contest

Staircase—eleven floors

At the bottom I start again lift myself, glance up. And try to peel away all those things I've always known-- the objects, their dryness, their hold, even touch those old splashed years-- scrabbling after some other life. But now I've decided it's next foot above the last-- sadness, now relief-- my muscles, my joints, my eyes open, my own solid walls moving past.

heart shaped

My sweetheart was watching "Flea Market Flip" a buyer had found an old chest of drawers for sale its front all decoupaged up with a bunch of love letters some lady had left inside it so that now when you go to get your nightie out you can sit there and read a few soft words first. She looked at me with that look and said when are you going to write me another love poem it's been so long and laughed not wanting to hurt. She still has my first one from when we were head over heels in that little heart-shaped box and opens it now and then.

Oh

I had just risen from the toilet and was pulling up my pants when the door popped open and Linda's wide eyes looked up into mine, and she said, "I had an aggressive sales lady today." I caved, as usual: "Where was this?" "You know, up at the mall." "Uh, okay, what was she like?" "She was very European, in her forties, with reddish brown hair tied up, and reddish lipstick. She whizzed around at everybody saying, 'Oh no, that's beautiful on you - you should take it.' You know, just doing the circuit." (Linda was getting animated herself, talking through a smile with her arms flying.) "I came out of the fitting room with five dresses over my arm and handed her back four. She picked one up and said, 'why don't you like this one?' I said, 'It's too long and way too dressy. I just want a casual one to wear when I go grocery shopping and when it's hot.' So then, in a high-pitched tone, she said, 'What's wrong with these?' I said, 'I only wanted one.' She said, 'Oh, so you're taking two?' I said, 'No, just the one.' She said, 'Why aren't you taking these?' I said, 'Because they're too tight around the boobs.' She said, 'Well that one you're taking isn't extra extra large!' I said 'Well, it fits.' After I paid for it, I looked up at her and said, 'That's a pretty blouse you're wearing.' She said, 'Oh. I didn't buy it here.'"

Then I saw the Vatican

All of us mistook it for some sort of Heaven. We paid our fees and streamed in, and by the thousands poured down the heavenly halls, glimpsing, above the churning river of our bodies, gold, enthroned Madonnas done in oils, frescos of classical motifs, with cherubs looking on, Popes in robes, surrounded by angels, all proclaimed under high arches held aloft by Roman columns, each inch worked to the highest art, but we were always pushed on, our tour guides somewhere calling, and if I could just stop and absorb all this I might think of a prayer or at least a good thought. But no, under that grand girth of power and glory we were ground down like polished stones. Then I discovered this small painting by a little-known artist named Crespi in the old, neglected Castle Saint Angelo. Alone, in a silent inner room, I stood for a long time, just inches from the face of a man worshipped for two millennia, ever since the long moment of horror he was living through there in front of me. I was held by his unhurried eyes. They accepted the armoured brute who was forcing him forward amid splashes of blood-red spray into the room I was in.
Interested in applying for the next Ted Plantos Award?

Applications are open to poets residing in Ontario.

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